I didn't choose the comfortable path. I was always interested in spaces where the person is small and the elements are bigger than him.

I am a world traveler, I often live on a boat, and creation for me is not a fixed activity. The studio is often on the move: at sea, on deserted shores, in temporary stations.

As a technically trained cave and deep-sea diver, I have access to locations that are not only physically but also mentally challenging.

Experimental Erosion was born from this way of life. Not as a concept, but as an experience. The forces of nature – water, time, pressure, oxidation – are not tools for me, but partners. Control is not complete, and it doesn’t have to be. I’m interested in the tension between intervention and release.

I believe that a work of art is not just an object. It is the imprint of a journey. It is the result of a series of decisions. It is the intersection of a place and a time. That is why there is a story behind every work of mine: where it comes from, under what circumstances it was created, what it required of me physically and mentally.

 

I don't seek security in creation. Rather, I seek the point where uncertainty makes me honest. Where the process is more important than the end result. Where time is not an enemy, but a co-author.

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