Experimental erosion

The works presented here are part of the Experimental Erosion project.
They did not emerge as isolated images, but as traces of extended, site-specific and time-based processes.

Each work begins in an extreme environment: submerged in seawater, positioned near shipwrecks, or placed in nomadic, uninhabited locations. Natural erosion is not merely an external influence, but an active creative force, complemented by the artist’s directed presence and delayed intervention.

After being brought back to the surface, the works enter a second phase in which the processes initiated by nature are concluded through a controlled, proprietary method. The resulting pieces are non-reproducible and inseparable from the specific place and time of their formation.

The individual works are not only visual objects, but documented events. Each piece is accompanied by verification of origin, site-specific context, and a narrative framework. Together, the works operate as an open system in which time, material, and human decision function as equal agents.